Pots By @CubanWindow
Since Cuba’s revolutionary triumph, the island has faced both the impacts of the colonizing wave of global hegemonic industry and specific cultural warfare projects designed, financed and implemented by U.S. imperialism, its agencies and international allies, with the aim of subverting Cuban socialism.
The United States has vast experience in the practice of cultural warfare against any alternative project to its hegemony on the international stage. The Cultural Cold War: The CIA and the World of Arts and Letters, by Frances Stonor Saunders, is an indispensable book in this regard, offering the most thorough research on the subject, allowing for an understanding of this reality. This book demonstrates how, during the Cold War years, the CIA’s program of psychological and cultural warfare against the socialist camp was its most prized possession.
“A central feature of the Agency’s efforts to mobilize culture as a Cold War weapon was the systematic organization of a network of ‘private’ groups or ‘friends’ into an unofficial consortium. This was an entrepreneurial coalition of philanthropic foundations, business corporations and other institutions and individuals, who worked hand in hand with the CIA to provide the cover and the funding pipeline for its secret programmes in western Europe,” Stonor notes.
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